There were plenty of signs of trouble, too: Blair had been in rehab for cocaine and alcohol abuse, and well before the plagiarism scandal broke, his work was often seen as dubious and full of mistakes. The number of corrections his stories required was three times higher than average; he had received a strongly negative performance review, and one mid-level editor had written a stern memo urging that “we have to stop Jayson from writing for the Times.” In Grant’s film, Howell Raines says the memo never reached his desk, and other editors say that a combination of complacency and bureaucracy kept Blair on the staff, rather than any desire to protect one of the paper’s few African-American reporters.
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